By Darrin Jones / April 20
Ingredients: If you liked the romance The Notebook, the charm of Dear John, and the drama of Water for Elephants, then you will like this movie.
So I had originally planned to review The Moth Diaries today but, as it turns out, that movie is a limited release. But being the quick thinker that I am, I decided to step out of my comfort zone and review The Lucky One. Now since my heart is a shriveled raisin, I’ll be the first to say that I don’t get romantic dramas and don’t have a high opinion of them. So at least you’ll know where I’m coming from when I say The Lucky One is okay. The plot is pretty decent; Logan (as played by Zac Efron) is a U.S. Marine in his third tour of duty in Iraq when he finds a woman’s picture among some rubble following a nearly fatal ambush the night before. Logan goes through many more close calls but returns home without a scratch largely thanks to the mysterious woman’s photograph, or so he believes. Despite the odds, Logan does manage to find the woman in the photo, Beth (Taylor Schilling), who happens to be in a bad spot in her life as well. Her brother, who was also a marine, died while on tour in Iraq and, big shocker, the picture belonged to her brother who was killed in the ambush Logan was in. Due to a mix up when they first meet, Logan begins working at Beth’s dog kennel, without telling her about the photo. He and Beth start to grow closer together but their budding relationship is in constant danger from Beth’s bully of an ex-husband, Keith (Jay R. Ferguson), who keeps trying to drive the two apart.
The interesting premise and characters are way overshadowed by the cliched plot twists and the dull writing. Zac Efron’s character is so perfect and unrealistic that it’s clear he’s nothing more then a machine that’s been programmed with all of the latest polls about what women want in a man. Logan is strong, quiet, brooding but able to smile, he’s an ex-solider but with absolutely no scars or mental disorders, he can fix anything and will do so without being asked, he can train dogs, is good with kids, and ladies, did I mention he will open the door for you? The fake-ness of Logan is only topped by the single-noted villainy of Jay R. Ferguson’s character, Keith. The Keith character has absolutely no point being in this film other then “bad guys make drama,” and despite whatever dramatic turn Keith takes he really doesn’t become anything more then the bad guy. Even with his last ditch effort at redemption, the writer made sure to cut Keith out of the conclusion because Keith was just that much of a reversing asshole.
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